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TIME: Almanac 1990
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1990 Time Magazine Compact Almanac, The (1991)(Time).iso
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time
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020689
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02068900.060
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1990-09-17
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THEATER, Page 80Classic MuddleBy William Henry III
BORN YESTERDAY
by Garson Kanin
The audience applauds when the curtain comes up on the set, a
swank Washington hotel suite, and again for the arrivals of the
four leading players, each familiar from a TV series. Alas, those
are just about the final occasions for enthusiasm in the labored,
preachy and mostly unfunny revival of Born Yesterday that opened
on Broadway this week. When the show debuted in 1946, it made stars
of Paul Douglas and Judy Holliday and cemented the reputation of
playwright Garson Kanin as a wry social commentator.
This time, Edward Asner (Lou Grant) achieves the seemingly
impossible by overplaying the loudmouth junkyard magnate Harry
Brock, who is eight parts tyrant to one part teddy bear. Madeline
Kahn (Oh Madeline) gets laughs as his fed-up mistress who sets out
to acquire couth and literacy, but cute faces and cunning timing
do not add up to a believable person. As the crusading journalist
who sets out to trap Brock and woo away his woman, Daniel Hugh
Kelly (Hardcastle and McCormick) seems lobotomized. Only Franklin
Cover (The Jeffersons), as a sozzled, shopworn and sardonic
Washington fixer, evokes a credible human being.
The biggest loser is Kanin. His script, considered an American
classic, either has dated badly or was overrated to start. It is
a political, moral and especially a rhetorical muddle; its most
grandiloquent speeches sound like discarded first drafts for a
lesser Frank Capra movie. At the end, a Senator gets away with
taking a bribe and Brock apparently gets away with murder, all with
the connivance of the supposed hero and heroine. That may echo how
some spectators feel about the outcome of recent insider-trading
cases, but Kanin seemingly intended a shout of triumph, not this
cynical sigh.